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Percussion
Admission Requirements
Please see information on the School of Music Application Process.

For admission, you will audition for the percussion faculty.

Students should be prepared to perform solo repertoire on at least three different percussion instruments as outlined below. Choosing works from your state's contest "A" list (or works of equal difficulty) is a good place to begin looking for repertoire.

Though it is understood that each student will have areas of personal strength, it is very important to the percussion faculty that students demonstrate abilities on diverse repertoire and instruments. While the primary emphasis in admission and scholarship decisions is placed upon the prepared material, sight reading on snare drum and keyboard percussion will be included in the audition process.

All equipment that auditioning students may need will be provided in the practice and audition rooms. Students who prefer to bring personal instruments are welcome to do so. Students are expected to bring any sticks or mallets needed for the audition.
Required audition areas (must do both)
  1. Keyboard Percussion A solo or solos on marimba, vibraphone, or xylophone. The solo(s) may be for two or four mallets (however, a four-mallet solo is strongly encouraged).
  2. Snare Drum Repertoire chosen should demonstrate concert and rudimental style.
Choice Areas (choose one or more)
  1. Timpani A solo for two, three, or four drums. Excerpts from the standard orchestral repertoire would also be acceptable.
  2. Multiple Percussion A solo on any combination of percussion instruments.
  3. Drum Set A prepared solo and/or improvisation in a variety of styles.
  4. World Percussion Instruments A prepared solo and/or improvisation in an area of your choice.
Admission Requirements
Please see information on the School of Music Application Process. In addition:

MM candidates should prepare an audition of 20-25 minutes in length. Each candidate is required to perform on four instrumental areas. A performance on the marimba (4 mallets) or vibraphone and the snare drum are required and two more instruments may be selected from timpani, multiple percussion, various orchestral excerpts, drum set, and world percussion. In addition to the prepared repertoire the audition will also consist of sight-reading on timpani, snare drum and marimba (2 mallets and 4 mallets). Memorization is neither required nor discouraged.

Auditions in Madison are highly preferred; if you have a videotape of any percussion performance that includes world percussion or drum set playing in an ensemble setting and/or multiple percussion repertory, please bring a DVD copy of this to your audition. Entirely videotaped auditions will be considered only in unusual circumstances or for international students. Please bring to the audition, a complete list of repertoire (chamber and solo) you have studied in the past.

If you have any further audition repertoire questions, would like to request more information on the percussion program, or if you wish to audition via video recording, please contact Professor Di Sanza.
Doctoral Minor
The purpose of the doctoral minor is to add breadth and depth to the D.M.A or Ph.D degree. To insure coherence a minor program must be approved by the appropriate department, a student's advisor, and the Director of Graduate Studies, and must include courses at the 300-level or above. Typically, a minor requires 12 credits of work.

Students have a variety of options, including completing an internal minor within the School of Music (e.g., a D.M.A. conducting student who minors in ethnomusicology or a Ph.D. in music theory who minors in clarinet performance), completing a minor in a department outside the School of Music (e.g., a D.M.A. in horn performance who minors in Women's Studies or a Ph.D. in ethnomusicology who minors in East Asian studies). Students may, in consultation with the Director of Graduate Studies, devise a distributed minor that brings together courses from a variety of departments around a particular topic or area of interest. For example, a D.M.A. student in voice devises a minor in vocal health that includes courses in communicative disorders, or a Ph.D. student in musicology devises a minor in Medieval History that includes courses in art history, history, and languages.
Admission Requirements
Please see information on the School of Music Application Process. In addition:

DMA candidates should prepare an audition of 35-40 minutes in length. Each candidate is required to perform on five instrumental areas. Four-mallet marimba (or vibraphone), two-mallet marimba (or xylophone) and snare drum are required with two more areas selected from timpani, multiple percussion, various orchestral excerpts, drum set and world percussion. In addition to the prepared repertoire the audition will also consist of sight-reading on timpani, snare drum and marimba (2 mallets and 4 mallets). Memorization is neither required nor discouraged.

Auditions in Madison are highly preferred; if you have a videotape of any percussion performance that includes world percussion or drum set playing in an ensemble setting and/or multiple percussion repertory, please bring a DVD copy of this to your audition. Entirely videotaped auditions will be considered only in unusual circumstances or for international students. Please bring to the audition, a complete list of repertoire (chamber and solo) you have studied in the past.

If you have any further audition repertoire questions, would like to request more information on the percussion program, or if you wish to audition via video recording, please contact Professor Di Sanza.
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