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Announcing the winners of our 2017-2018 Concerto Competition

December 27, 2017

 

For the first time in 20 years, a bassoonist has won the Mead Witter School of Music’s concerto competition and will perform solo on stage on March 18, 2018 in our annual “Symphony Showcase” winners’ recital.

Bassoonist Eleni Katz will play Mozart’s Bassoon Concerto in B flat major, K. 191 with the UW-Madison Symphony Orchestra, conducted by Chad Hutchinson. Eleni, a student of Professor Marc Vallon, graduates this spring with a bachelor’s of music degree in bassoon performance.

She will join three other soloists on stage: Kaleigh Acord, violin, a doctoral student of Professor Soh-Hyun Altino; Aaron Gochberg, percussion, an undergraduate student of Professor Anthony Di Sanza; and Eric Tran, piano, a doctoral student of Professor Christopher Taylor.

In addition, the winner of the composition competition, doctoral student Mengmeng Wang, will have her work, “Blooming,” premiered by the symphony. Mengmeng studies with Professors Laura Schwendinger (composition) and Daniel Grabois (electronic music) of the School of Music and Professor Joseph Koykkar (composition) of the Dance Department.

The program will open with Leonard Bernstein’s Overture to Candide. “A dashing overture in … a shapely sonata form with points of canonic imitation and a sparkling Rossini crescendo to close.” —  John Henken.

The School of Music’s annual “Symphony Showcase” concert is a perennial crowd-pleaser that combines the joy of youthful accomplishment with the beauty of live music. The community is invited to attend and remain afterwards for a free reception in the lobby of Mills Hall. We will see you on March 18!

$10 adults, free to all students and children.

Ticket information here.


 

Kaleigh Acord, violin

Beethoven, Concerto for Violin and Orchestra in D major, Op. 61, movement 1

Kaleigh Acord. Photograph by Michael R. Anderson.

Violinist Kaleigh Acord hails from Fairfax Station, Virgina and is now pursuing a doctorate of musical arts at University of Wisconsin-Madison’s Mead Witter School of Music. There, she is a student of Soh-Hyun Park Altino and a recipient of the Paul Collins Fellowship. She holds a graduate performance diploma from the Peabody Institute in Baltimore, as well as a master’s of music and an undergraduate diploma from the Longy School of Music of Bard College in Cambridge, Massachusetts. Her previous teachers include Violaine Melancon and Laura Bossert. At Longy, Kaleigh served three years as Ms. Bossert’s teaching assistant, and received both the Margaret Rohde Award for Excellence in Solfege and Theoretical Studies, and the Roman Totenberg Award for Highest Academic and Artistic Achievement. An avid chamber musician, Kaleigh has spent her summers at music festivals including Bowdoin International Music Festival, Kent/Blossom Music, the Garth Newel Chamber Music Fellowship Program, Lyricafest, and the Charles Castleman’s Quartet Program. She made her solo radio debut on WQXR’s McGraw Hill Financial Young Artist Showcase in March 2014.

Aaron Gochberg, percussion

Keiko Abe, Prism Rhapsody

Percussionist Aaron Gochberg, an Oregon, Wisconsin native, is completing his fourth year of undergraduate study under Professor Anthony Di Sanza, a program which has presented him with opportunities to perform in Carnegie Hall, the Overture Center, and the Wisconsin Union Theater’s Shannon Hall, as well as to tour Beijing and Shenyang, China. In 2016, Aaron was a Performance Fellow at the nief-norf Summer Festival, where he performed, premiered, and recorded numerous works by both new and established composers. He has collaborated with artists and ensembles such as Sō Percussion, Clocks in Motion, Sound out Loud, Juan de Marcos Gonzalez, Acoplados Latin Jazz Project, the Wisconsin Collegiate All Star Percussion Ensemble, and he continues to seek shared experiences with performers from around the world.

Aaron Gochberg

Aaron has enjoyed an eclectic range of musical experiences, giving him a distinct perspective on percussive artistry. He is a collaborator at heart, and is deeply invested in working directly with living composers. His interest in Afro-Cuban music has granted him multiple opportunities to travel to Cuba, where he has been fortunate to study with some of the most influential musicians on the island, including Mario “Aspirina” Jagerui, Alejandro Carvajal Guerra, Marino Angarica, Luis Cancino Morales, Dolores Perez, and Maximino Duquesne. In 2017, the University recognized Aaron’s study of Afro-Cuban Batá drumming traditions by awarding him a Hilldale Undergraduate Research Fellowship. Recently, he joined the Wisconsin Union Theater as the World Music Coordinator on the Performing Arts Committee.

Growing up in Oregon, Aaron was very fortunate to participate in a musical community, granting him many formative experiences. He would like to thank Lynn Callendar, a member of the School of Music Board of Visitors, for her gracious support over the past four years. He would also like to sincerely thank his many private and collegiate music teachers, who have included Dr. Anthony Di Sanza, Dr. Todd Hammes, Tom Ross, Donald Skoog, and David Skogen.

Eleni Katz, bassoon

Mozart, Bassoon Concerto in B flat major, K. 191

Iowa City native Eleni Katz will graduate this spring with a bachelor’s of music in bassoon performance, where she studies with Professor Marc Vallon. While in high school, Eleni studied with University of Iowa Professor Benjamin Coelho, who sparked in her a new level of passion for the instrument. Her experience at the Interlochen Bassoon Institute was the pivotal moment when she decided to pursue a career in music.

Eleni Katz

Eleni has always loved the art of performance and is particularly excited to play W.A. Mozart’s Bassoon Concerto in B Flat K.191, because this is the first time in 20 years that a bassoonist has won the university’s concerto competition. This bassoon concerto is arguably the most important concerto in the bassoon’s repertoire, highlighting the instrument’s range, articulation, and refinement.

Eleni was a runner-up in the Marquette Symphony Orchestra Young Artist Concerto Competition and was a winner of the Irving Shain Piano-Woodwind Competition and the University of Iowa Double Reed Day Concerto Competition.

Under Professor Marc Vallon’s tutelage, Eleni has had six solo recitals, participated in both the IMANI Winds and Madeline Island Chamber Music Festivals, and the Brevard Music Center and Chautauqua Institution Summer Music Festivals.

She plans to attend graduate school in bassoon performance next year. Her future goal is to gain experience in performance by playing in a symphony orchestra and chamber music groups. Her long-term goal is to teach bassoon at the university level and to lead a vibrant bassoon studio of her own.

Eleni would like to thank her friends and family, bassoon studio, and professors, who have inspired and supported her throughout her musical journey. Lastly, Eleni would like to thank Professor Vallon for every lesson and for always helping her find new ways to improve her performance of this concerto. Tonight’s performance is the “cherry on the cake” of an incredible, transformative four years of study at UW-Madison.

Eric Tran, piano

Bach, Concerto No. 4 in A Major, BWV 1055

Pianist-composer Eric Tran, originally from Piedmont, California, is pursuing a doctorate of musical arts in piano at UW-Madison with Christopher Taylor. He is known for his friendly stage manner, thoughtful programming, and bold risk-taking. He has appeared in music festivals such as PianoTexas, Aspen, Art of the Piano, as well as festivals in Europe. His principal studies were with pianists Sharon Mann, Thomas Schultz, and composer Jaroslaw Kapuscinski.

Eric Tran

Eric is a graduate of Stanford University and the San Francisco Conservatory of Music. During his studies, he was the winner of the concerto competitions of both institutions, and he was awarded the prestigious Robert M. Golden Medal for outstanding contributions to the arts. As a composer, he won the Pacific Musical Society Composition Prize, and his sets of children’s music have been programmed for over six years on the syllabus of the US Open Music Competition. His music has been performed by the St. Lawrence String Quartet, the Friction Quartet, his generous friends, and his charming piano students.

​Eric also comprises one half of the notorious “Happy Dog” piano duo, with his piano partner, Nathan Cheung. They won both first prize and the Abild American Music Award at the 2017 Ellis Duo-Piano Competition, hosted by the National Federation of Music Clubs. For over a decade, they have performed four-hands originals, transcriptions, and classics alike with a focus on bringing humor and joy to the classical music world.

Mengmeng Wang, composer

“Blooming”

Mengmeng Wang

Mengmeng Wang, a native of China, is a doctoral student studying composition with Professor Laura Schwendinger and electro-acoustic music with Professors Daniel Grabois (School of Music) and Joseph Koykkar (Dance Department). She received her master’s degree in music in composition from Shanghai Conservatory of Music, studying with Professor Liang Zhao. She also studied composition with Professors Guang Zhao and Heng-lu Yao.

Her works have been performed in the Beijing Modern Music Festival, in a recital by German violist Christiane Edinger and also by the Shanghai Opera Symphony Orchestra. Her film music was awarded the Honor Award of 1st eARTS Digital Audio China Competition in Shanghai, 2010; one of her art songs was awarded a golden prize at the 4th Chinese National Music Exhibition and Performance in Beijing in 2014; and she won the composition competition of Xinghai Conservatory of Music for one of her chamber music works. She was also named a “top-notch talent” of Chinese popular music by the China Association of Popular Music.

Program Note – “Blooming”
Blooming was inspired by flowers selected by Professor Schwendinger. “Blooming” is the language of flowers; I feel that they are trying to say something to me. I used different types of musical language to describe them. There are also important themes presented in bright metallic timbres and textures which express the flowers’ quiet glory as they bloom, and then a peaceful fading away.

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Wisconsin Day of Percussion–January 21, 2017

Wisconsin Chapter of the Percussive Arts Society Presents “Wisconsin Day of Percussion”

January 21, 2017 at the Mead Witter School of Music

Hosted by Anthony Di Sanza, professor of percussion, and the UW-Madison Percussion Studio

On January 21, 2017 the Wisconsin chapter of the Percussive Arts Society will present the all-day Wisconsin Day of Percussion in the Humanities Building at the University of Wisconsin-Madison Mead-Witter School of Music. The Wisconsin DOP is an annual event, hosted this year by Anthony Di Sanza and the UW-Madison Percussion Studio, that showcases the diversity of percussion, including drum set, Brazilian drumming, marching percussion, orchestral percussion, timpani, cajon, keyboard percussion sight reading, drum circle, and much more.

UW School of Music

The day will include multiple performances, clinics, and presentations, starting at 8:30 AM and ending at 7 PM. Percussionists of all experience levels are encouraged to attend. In addition, there will be many sessions that non-percussionist band directors will find helpful to understand and teach the percussive arts. An all-day pass is available for $15 and are purchased at the door.

Headlining the day’s events will be Doug Waddell, who performs with the Chicago Lyric Opera and Grant Park Symphony, and Dave Stanoch, a percussionist with notable singers including George Clinton, Sheryl Crow, and Bonnie Raitt. Stanoch is an alumnus of UW-Madison.

Other concert performers will include the UW-Madison World and Western Percussion Ensembles; the Percussion Ensemble of the Wisconsin Youth Symphony Orchestra; the College All Star Percussion Ensemble, college soloists and selected high school percussion ensembles.

In addition, a high school and middle school Percussion Ensemble Festival will be held in conjunction with the DOP. University faculty will coach the participating schools in 30 minute sessions, providing each school with a meaningful and rich educational experience.

Each year the DOP is held on one of Wisconsin’s college/university campuses, inviting percussionists of all ages and experiences to attend and participate in the myriad clinics, concerts and presentations. Past DOP events have been held at UW-River Falls, UW-Whitewater, UW-Milwaukee, UW-Stevens Point and UW-Oshkosh. The last time the DOP was held on the UW-Madison campus was in 1999, with Professor Emeritus James Latimer serving as host. This was during professor Latimer’s final semester at UW-Madison prior to his retirement after more than three decades of service to the School of Music.

For more information regarding the Wisconsin Day of Percussion and the HS/MS Percussion Ensemble Festival, please visit the Wisconsin PAS home page:
http://community.pas.org/wisconsin/upcomingevents/daysofpercussion89

2017-dop-poster

 

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And the concerto winners are…..UW-Madison presents its annual “Symphony Showcase”

L-R: Kangwoo Jin, piano; Luis Alberto Peña, piano; Garrett Mendelow, percussion; and Paran Amininazari, violin. Photograph by Michael R. Anderson. 

L-R:
Kangwoo Jin, piano; Luis Alberto Peña, piano; Garrett Mendelow, percussion; and Paran Amininazari, violin. Photograph by Michael R. Anderson.

A percussionist, a violinist, two pianists and a composer will take the stage on Feb. 14 at the UW-Madison School of Music, when the school offers its annual “Symphony Showcase,” a night of joy and musical revelry celebrating winners of our annual concerto competition. The concert is open to the public.

Yunkyung Hong, composer. Photograph by Michael R. Anderson. 

Yunkyung Hong, composer. Photograph by Michael R. Anderson.

The concert takes place in Mills Hall at 7:30 PM on February 14, Valentine’s Day, which falls on a Sunday, and will be followed by a reception in Mills Hall lobby.

Winning students will solo with the UW Symphony Orchestra, conducted by James Smith.

While tickets for children and students are free, tickets for adults are $10.00. Tickets are sold at the Memorial Union Box office on Langdon Street and in Mills lobby day of show. A $4 fee is added to online sales. Please note: We recommend that patrons arrive early to buy a ticket in the lobby.

Box Office link: Buy online ($4 fee).

Free parking (every Sunday) is available at the Business School/Grainger Hall parking lot, diagonally across University Avenue from Humanities.

2016 winners include:

Violinist Paran Amininazari, 31, a doctoral student of assistant professor Soh-Hyun Park Altino, performs with the Madison Symphony Orchestra, is the concertmaster of the Middleton Community Orchestra and is also the artistic director of the new summer chamber group, the Willy Street Chamber Players. At UW-Madison, she is also a member of the Hunt Quartet, sponsored by the Madison Symphony Orchestra and Dr. Kato Perlman. She will play a movement of Sergei Prokofiev’s Violin Concerto No. 2 in G minor, Op. 63, written in 1935, which contains a Russian folk melody in the first and second movements and ends in a Spanish-tinged theme, complete with castanets.  Amininazari has an undergraduate degree from the New England Conservatory of Music and attended the Orchestral Skills Program at the University of Nevada-Reno.

Composer and South Korean native Yunkyung Hong, 31, is a doctoral candidate in composition, studying with professors Laura Schwendinger and Stephen Dembski. “Yun” received her undergraduate degree from the University of Texas at Austin where studied composition with Russell Pinkston, Yevgeniy Sharlat, and Donald Grantham. At the University of Florida, she studied composition with James Paul Sain and Paul Koonce and received a master’s degree.

She has presented her music at The Society for Electro-Acoustic Music in the United States (SEAMUS); Sejong Chamber Center (Korea); Unbalanced Concerts, University of Florida; Wet Inks, University of Texas at Austin; and has been commissioned by the Berliner Ensemble Essenz, Ensemble Mise-en at Illinois State. She has also won awards at the Out of Bounds Ensemble, the Mullen Sacred Music Composition at UW-Madison, the University of Missouri Kansas City composers competition and the American Prize chamber music division.  In Madison, Yun is now employed as a sound designer for UW-Madison’s “Moocs” program. Her winning composition, titled “Translucency,” includes four movements that reflect the life cycle of a living organism. For the winners recital only the first movement will be performed. “This first movement is about blossoming,” Yun says. “At the opening, we will hear a musical depiction of seeds fluttering in the wind, then gradually this material will develop and blossom at the arrival. The movement is focused on textural and coloristic alterations.”

Pianist and Collins Fellow Kangwoo Jin, 34, a doctoral student of professors Christopher Taylor and Jessica Johnson, is a native of South Korea who has won numerous competitions, including the Korea-Herald Newspaper Competition, the Eumyoun piano competitions, plus the Beethoven Piano Competition at UW-Madison,  sponsored by former Chancellor Irving Shain. He also performed a debut concert sponsored by the Chosun Daily Newspaper in Korea. Jin received an undergraduate degree from Hanyang University in South Korea and a master’s degree from  Indiana University, where has received the J.Battista Scholarship on Excellence and worked as an associate instructor. In Madison, Jin is an instructor in the School’s “Piano Pioneers” and Community Music Lessons programs, and has worked at the Summer Music Clinic as a collaborative pianist. Jin will perform the third movement from Rachmaninoff’s Piano Concerto No. 2 in C minor Op. 18.

Garrett Mendelow, 26, a doctoral percussionist and Collins Fellow studying with professor Anthony Di Sanza, has placed in numerous percussion competitions and premiered many new works. In 2012, Mendelow won second prize in the biennial Tromp Percussion Competition in The Netherlands, and in 2014, he was a semifinalist at the ARD International Music Competition in Munich, Germany. Mendelow has an undergraduate degree from the University of Michigan, a master’s degree from SUNY-Stony Brook, and also studied at the Hochschule für Musik Detmold in Germany.
In Madison, Garrett has performed with trombone professor Mark Hetzler, with the ensemble SO Percussion and is also involved with the Beyond Border Percussion Group, a group consisting of percussionists from different cultural and musical backgrounds.

At Symphony Showcase, Mendelow will play the Arena Concerto, written in 2004 by Swedish composer Tobias Broström, which includes a combination of wood, metal and skin percussion instruments in the first part, and a virtuosic marimba part in the second movement.

Colombian Luis Alberto Peña, 27, a doctoral student of professor Christopher Taylor, has soloed with the Unimusica Orchestra, the Tolima Conservatory Symphony, the Bogota Philharmonic Orchestra, the Meadows Symphony Orchestra, the Camerata Dallas, and the National Symphony Orchestra of Panama, and won prizes in competitions in Colombia, Venezuela, Costa Rica and the United States.
Luis holds degrees from the Peabody Conservatory of the Johns Hopkins University, Southern Methodist University and the Juan N. Corpas University of Bogota. Luis will perform Richard Strauss’s Burleske in D Minor for Piano and Orchestra, composed in 1885-86, an exciting and colorful one-movement work. “What makes it particularly unique among romantic piano concertos is its predominantly humorous character,” says Luis. “However, it preserves an irresistible elegance and charm all throughout and all its wild brilliance is counterbalanced by many moments of incredible beauty and mystery.”

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UW Percussion celebrates 50 years with a concert and trip to China

Fifty years is not a long time in the world of classical music, but it’s a very long time in the world of formal percussion studies. In the 1960s and before, the very notion of teaching percussion beyond the basic orchestral instruments caused music educators to simply shake their heads in disbelief.

Professor Anthony Di Sanza, right, with members of the World Percussion Ensemble. Photo by Mike Anderson.

Professor Anthony Di Sanza, right, with members of the World Percussion Ensemble. Photo by Mike Anderson.

“There was this old guard tradition that very much did not see percussion as a viable solo artistic instrument,” says Anthony Di Sanza, professor of percussion at UW-Madison. In fact, John Cage, one of the pioneers in the field, was unable to find percussionists to play his first works; instead, they were performed by dancers and composers. “The percussionists wanted nothing to do with it,” Di Sanza says. “Most were in orchestra.” One famous orchestral percussionist even referred to the rising deployment of sirens and whistles in cutting-edge percussion pieces as “debasements.”

But that was then.

Since then, percussion studies have exploded, with UW-Madison firmly in the vanguard. In 1950, the University of Illinois established the first accredited university percussion ensemble. In 1965, UW-Madison staged its first percussion concert, followed one year later with a full-blown major. In 1968, James Latimer was hired as program director and served until 1999 when he retired and was replaced by Di Sanza. While at UW, Latimer spearheaded a Duke Ellington Festival, started the Madison Marimba Quartet, initiated the first of 300 Young Audience Concerts held in public schools from 1969 to 1984, and hosted the Wisconsin Percussive Arts Society “Days of Percussion.”

Di Sanza’s tenure has been marked by numerous world premieres, commissions, recordings, and collaborations. In 2004, a doctoral program was founded, and two additional teachers are now on board: Todd Hammes and Tom Ross, both with specialties of their own.

Now, almost exactly 50 years after the school’s first percussion concert, Di Sanza’s studio plans to celebrate.

On March 20 at 8 pm in Mills Hall, the percussion ensemble will present a ticketed concert of music from the United States, China, Mexico, Brazil and the Middle East with emeritus professor James Latimer as guest conductor and Clocks in Motion, a four-year-old professional alumni ensemble, as guest artists. With the help of Latimer and many others, DiSanza has doggedly tracked down dozens of former students from over the years, and hopes that many of them will be able to attend. Buy tickets here or at the door. Adults $10.00/students of all ages are free.

Latimer will conduct the ensemble in Carlos Chavez’s landmark composition Toccata for Percussion, which was performed on their first concert in 1965.

But that’s only the prelude. In April, Di Sanza’s studio will embark on its first international tour, a ten-day trip to China to perform and also partner with students at the Shenyang and China Conservatories.

The group was invited by percussion professor Lu Qingshan of the Shenyang Conservatory, whose former student, Zhang Yuqi, is now a master’s candidate at UW-Madison. There, they will play works by American and Chinese composers as well as music from the Middle East and Brazil. The trip is funded by the Wisconsin China Initiative, Dr. and Mrs. Robert W. Graebner, the UW-Madison Division of International Studies and the UW-Madison School of Music.

Since the program’s founding fifty years ago, hundreds of graduates have established multi-pronged careers of their own, as teachers, as arts managers, as performers playing music from every tradition imaginable and on every instrument that makes a sound, which includes pretty much anything.

Including whistles.

Want to know the full history of the UW-Madison Percussion Program from decade to decade? Download a timeline here.

Wonder what percussion with whistles sounds like? Watch a video of the UW-Madison Percussion Ensemble in 2009, performing John Cage’s “Dance Music for Elfrid Ide II.”