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Third UW-Madison Brass Fest to feature renowned Stockholm Chamber Brass – Sept. 30/Oct. 1

BRASS, BRASS AND MORE BRASS – With No. 3, UW-Madison cements a tradition as a Brass Hub of the Midwest

On September 30 and October 1, 2016, the newly renamed Mead Witter School of Music will welcome the internationally acclaimed Stockholm Chamber Brass to campus for a third annual Brass Fest. The quintet’s tour of upstate New York, Michigan and Wisconsin will be their first-ever appearances in the United States.

The Stockholm Chamber Brass. Credit: Beatrice Winter.

The Stockholm Chamber Brass. Credit: Beatrice Winter.

Brass Fest III will also mark the first time that high school students will play an active role, attending master classes and performing on stage in a final Festival Brass Concert. Area high schools planning to attend include Middleton, Madison East, Madison West, Edgewood, and Memorial.

A number of major instrument makers and music companies, many located in Wisconsin, will also be on hand to display their wares. The School will also offer commemorative fund-raising t-shirts; scroll to bottom to learn more.

The events will include a concert with Stockholm Chamber Brass on Friday, September, 30, at 8 PM, and a second concert on October 1, also at 8 PM, with the Stockholm Chamber Brass, the Wisconsin Brass Quintet, UW-Madison student performers and selected high school students. Both concerts will be held in Mills Hall in the Humanities Building.

Tickets: $20 for Friday’s concert ($5.00 non-music students); $15 for Saturday’s concert ($5.00 non-music students). Buy tickets here or at the door.

“We are expanding the festival because our mission is to perform and to teach,” says Daniel Grabois, assistant professor of horn and member of the Wisconsin Brass Quintet. “We are motivated by the Wisconsin Idea, and we are making every effort to bring what we do to the population of the state. There are many students in the state who play brass instruments, and we want to include them in our educational mission. We also want to build on the successes of the past two years – many people enthusiastically attended the festival, and we want to make it better, more exciting, and more inclusive.”


Stockholm Chamber Brass, formed in 1985, consists of some of Scandinavia’s leading brass musicians. Its five members are all prize winners at major international solo competitions, including the ARD-Wettbewerb, CIEM Geneve, Markneukrichen and Toulon. Their international breakthrough came in 1988 when Stockholm Chamber Brass won 1st Prize at “Ville de Narbonne,” the most prestigious international competition for brass quintets.

Stockholm Chamber Brass has performed at Bad Kissingen Sommer, the Schleswig-Holstein Music Festival, Niedesächsische Musiktage, International de Musique Sion Valais, the Prague Spring Music Festival, the Budapest International Music Festival, Festival Internacional de Santander, the Soundstream Festival in Toronto, the Belfast Festival at Queen’s, the Umeå International Chamber Music Festival and the Stockholm New Music Festival. The ensemble has also performed at various brass festivals, including the Lieksa Brass Week, the International Trombone Festival in Helsinki, the Melbourne International Festival of Brass, Epsival Limoge and the Blekinge International Brass Academy.

Stockholm Chamber Brass has received glowing reviews for its CDs. A reviewer at American Record Guide writes, “I cannot imagine that a better brass quintet has ever existed.”

The ensemble’s repertoire consists mostly of original compositions and their own arrangements of older and contemporary music. Their interest in new music has resulted in over thirty compositions written specifically for the ensemble. Stockholm Chamber Brass has worked with a long list of leading composers, including Anders Hillborg, Sven-David Sandström, Pär Mårtensson, Britta Byström, Henrik Strindberg Piers Hellawell and Eino Tamberg. The ensemble has also collaborated with leading brass soloists Håkan Hardenberger and Christian Lindberg.

The current members of the Stockholm Chamber Brass are Urban Agnas, trumpet; Tom Poulson, trumpet; Jonas Bylund, trombone; Annamia Larsson, horn; and Sami Al Fakir, tuba.

The Wisconsin Brass Quintet, formed in 1972, is one of three faculty chamber ensembles in-residence at the University of Wisconsin-Madison Mead Witter School of Music. Deeply committed to the spirit of the Wisconsin Idea, the group travels widely to offer its concerts and educational services to students and the public in all corners of the state.

The Wisconsin Brass Quintet. Photo by Michael R. Anderson.

The Wisconsin Brass Quintet. Photo by Michael R. Anderson.

The Wisconsin Brass Quintet includes John Aley, trumpet; Matthew Onstad, trumpet; Mark Hetzler, trombone; Tom Curry, tuba; and Daniel Grabois, horn.

New this year: Commemorative Limited Edition T-Shirts, featuring our new Brass Fest III logo on the front and “Mead Witter School of Music” on the back. Prices from $11 to $14; all proceeds will support the School of Music. Send an email to t-shirt sales if you’d like to buy one.


The Music of Franz Schubert
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Fischer & Lutes present a third “Schubertiade”

In homage to a beloved composer, the UW-Madison School of Music will present its third annual Schubertiade, an evening of songs, piano duets and chamber music by Franz Schubert, one day before the composer’s 219th birthday.

The concert will take place on Saturday evening, January 30, 2016 at 8 p.m. in Mills Concert Hall. The concert is hosted by pianist Martha Fischer, who is professor of collaborative piano and piano at the School of Music, and her pianist husband Bill Lutes, emeritus artist-in-residence. Alumna soprano Jamie-Rose Guarrine, who has sung with many major opera companies including Wolftrap in Washington, D.C., the Santa Fe Opera, the Minnesota Opera, as well as Milwaukee’s Florentine Opera and Madison Opera, will be a guest soloist. Guarrine now teaches at the University of Massachusetts at Amherst.

Martha Fischer & Bill Lutes

Martha Fischer & Bill Lutes

Schubert was born on January 31, 1797, in Himmelpfortgrund, near Vienna in Austria, and died at age 31, yet in that short span managed to write some 600 works for the voice, seven symphonies, operas, chamber music, and much more. He influenced many composers, including Mendelssohn, Liszt, Brahms, and Schumann, and is now considered one of the most important composers of the late Classical and early Romantic eras.

Fischer’s and Lutes’s association with Schubert dates from their time as graduate students at the New England Conservatory of Music, where they discovered the composer and each other simultaneously. They married in 1984.

Schubertiades, which were popular during Schubert’s lifetime, were homey Viennese “house concerts” featuring the composer, fellow musicians and friends that offered music performances, dancing and carousing, often until dawn. At the School of Music, performers and patrons will be on stage together, seated in chairs and on sofas, to attempt to mimic the “house concert” style. For the first time, a public reception will be held afterwards.

The program will include a major work for piano duet, the Allegro in A minor, known as “Lebensstürme” or Life’s Storms, performed by Fischer and Lutes. Guarrine will sing one of Schubert’s final works, the delightful “Shepherd on the Rock,” along with Fischer and clarinet faculty Wesley Warnhoff.

Additional guests will include UW-Madison voice faculty Mimmi Fulmer and Paul Rowe; current University Opera director David Ronis; alumni singers Daniel O’Dea and Benjamin Schultz; current DMA candidate Sara Guttenberg; soprano Marie McManama; UW-Madison horn faculty Daniel Grabois; UW-Madison faculty violinist Soh-hyun Park Altino; UW-Madison faculty violist Sally Chisholm; adjunct professor of clarinet Wesley Warnhoff; alumnus cellist Ben Ferris; and Parry Karp, faculty cellist.

“The overarching idea for this year’s Schubertiade is music inspired by the motions and movements of the natural world, especially water, wind, and woodlands, forests and trees,” says Lutes. “The poems that Schubert chose for his lieder often feature vivid and evocative imagery from nature, while exploring our human emotional and spiritual responses to the natural world. As Schubert is moved by the natural world, we listeners are moved in turn by the sublime ‘nature music’ of his songs and instrumental works.”

Accordingly, the concert will offer one of Schubert’s best loved “water” songs, “Die Forelle” (The Trout) as well as the Theme and Variations movement derived from this song from the famous “Trout” Quintet for piano and strings.

This concert and future Schubertiades are being graciously underwritten by Ann Boyer.

Tickets are $15.00 for adults. Students of all ages are free.

Tickets are available through the Union Theater Box Office. Patrons may buy online ($4 fee) or save the fee and buy in person at Memorial Union or in Mills lobby day of show.

Please note: We recommend that patrons arrive early, both to secure a parking spot and to buy a ticket. Parking will be tight due to UW hockey, but parking passes may be ordered in advance to guarantee a space.

Options include H.C. White Garage (Lot 6); Fluno Center (Lot 83); University Avenue Ramp (Lot 20). VISA is accepted.

Complete this online request form or call the Special Events Office at (608) 262-8683. Please allow two weeks for processing. In the box for “special instructions,” please indicate “Schubertiade.”

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“Brass Fest II” to feature eclectic mix of jazz and folk vocals, solo trumpet, and works for brass quintet

From October 9 to 11, the UW-Madison School of Music will present its second brass music festival, following a spirited event last year that was enthusiastically received by students and the community.

This year, “Brass Fest II” has added a vocalist to the mix: a Norwegian singer who mixes jazz tunes with pop and folk music from the Middle East, Bulgaria, Spain and India. The three-day festival will also features two brass quintets and a solo trumpeter.

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The festivals showcase the energetic, eclectic world of brass music, says festival organizer John Aley, professor of trumpet at UW-Madison and principal trumpeter of the Madison Symphony Orchestra. “We benefited from creative energy last year that continues to impact positively in the School of Music,” says Aley. “The performances will showcase some amazing talent and innovation including the surprising and delightful synergy of brass plus voice.”

On the docket this year:

Friday, October 9: Axiom Brass Quintet, 8 PM, Mills Hall. This lively Chicago quintet features repertoire ranging from jazz and Latin music to string quartet transcriptions, as well as original compositions for brass quintet.  Friday’s concert will offer an Elizabethan suite, “The Art of the Fugue” by J.S. Bach, and brass quintet works by Victor Ewald, David Sampson, and Patrice Caratini.

Axiom Brass is an Ensemble-in-Residence at the Boston University Tanglewood Institute and at Chicago’s Rush Hour Concerts. They are winners of the Chamber Music Yellow Springs Competition (2012), the Preis der Europa-Stadt Passau in Germany (2012), the 2008 International Chamber Brass Competition and prize-winners of the 2010 Fischoff Chamber Music Competition, the Plowman Chamber Music Competition, and the Jeju City International Brass Quintet Competition in South Korea. Axiom Brass is comprised of Dorival Puccini, Jr., trumpet; Jacob DiEdwardo, horn; Kevin Harrison, tuba; Serdar Cizmeci, trombone; and Kris Hammond, trumpet.

Saturday, October 10: Festival Brass Choir with the Axiom Brass Quintet, the Wisconsin Brass Quintet, trumpeter Adam Rapa, vocalist Elisabeth Vik, and students/faculty of the School of Music. 8 PM, Mills Hall. Conducted by Scott Teeple, professor of music and wind ensemble conductor. The concert will include works by Astor Piazzolla, James M. Stephenson, Anthony DiLorenzo, Nicolai Rimsky-Korsakov, and a Bulgarian vocal work sung by Ms. Vik.

The Norwegian-born vocalist Elisabeth Vik was classically trained by Norwegian opera singer Rolf Nykmark, then moved on to study commercial music and music business at the Liverpool Institute for Performing Arts in England. She received a bachelors degree in pop-music performance, then moved to New York City. She has traveled the world gathering and learning techniques and musical expressions, giving her sound and stylings hints of Indian, Arabic, Spanish, Bulgarian as well as Norwegian flavors, superimposed upon a classical technique and an affinity for jazz.

American Adam Rapa is a dynamic performer, composer, producer and educator known for the excitement, energy and enthusiasm he brings to stages and classrooms around the world. Rapa has been featured as a special guest artist and clinician at trumpet conferences around the globe including the International Trumpet Guild conference, the National Trumpet Competition, and festivals in dozens of countries around the world. Adam performed and/or recorded with Grammy Award winners Nicholas Payton and Roy Hargrove, Christian McBride, Doc Severinsen, Soulive, Wycliffe Gordon, Eric Reed, Jason Moran, Robert Glasper, Cyrus Chestnut, Jorge Pardo, Mnozil Brass, Belgian Brass, Alice in Chains, Academy Award winning film composer A.R. Rahman, and many others. Now living and freelancing in Copenhagen, Rapa plays lead trumpet in the Danish Radio Big Band and also performs with members of the Afro-Cuban All-Stars.

The Wisconsin Brass Quintet, formed in 1972, is a faculty ensemble in residence at the UW-Madison. In addition to performing with the WBQ, the players have also been members of the American Brass Quintet, Empire Brass Quintet and Meridian Arts Ensemble. Current members include Tom Curry, tuba; Mark Hetzler, trombone; Daniel Grabois, horn; John Aley, trumpet; and Matthew Onstad, trumpet.

Sunday, October 11: Duo recital with trumpet soloist Adam Rapa, vocalist Elisabeth Vik, and musicians from the School of Music. 7:30 PM, Mills Hall.  Based in Denmark, the duo offers a creative blend of classical and jazz, melding traditional and modern repertoire with a Latin sizzle. Works will include the Carmen Suite by George Bizet, Så Skimrande Var Aldrig Havet by Evert Taube, arranged by Rapa & Vik, Oblivion by Astor Piazzolla arranged by Rapa, and Anitras Dance by Edvard Grieg, arranged by Vik & Rapa.

Tickets for the Friday and Saturday concerts are $15 for adults, free for students and children. Sunday’s concert is free to all.

Buy tickets to both concerts and save!

BrendaRaeHiRez-2955-xretLOW REZ
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Rising Opera Sensation Brenda Rae Returns to Madison to support University Opera

Brenda Rae, a School of Music voice alumna whose 2013 U.S. operatic debut in the Santa Fe Opera’s production of Giuseppe Verdi’s  “La Traviata” received high praise from the New York Times, will star this September in a major fundraising concert for University Opera.

“Ms. Rae soared beautifully in the early going, but it was in her pianissimo singing that she really shone,” wrote James R. Oestreich, of Brenda’s role as Violetta, the high-class prostitute dying of consumption.

Listen to Brenda sing the role of Semele at the Seattle Opera.

Brenda Rae, an Appleton native, earned a bachelor’s degree in voice from the School of Music in 2004 followed by a master’s degree and artist’s diploma from The Juilliard School. She then moved to Europe where she has performed regularly in Frankfurt, Munich, Berlin and many other cities.

The three-day event will celebrate the newly created position of Director of University Opera, funded by the recently established Karen K. Bishop Fund.  Karen Bishop was the founder of Rainbow Play Systems, makers of playground equipment, but sold it in 2003 to pursue her first love, opera. She gained masters and doctoral degrees at UW-Madison, and prior to her death in January 2015 after a struggle with cancer, she asked her husband Charlie Bishop to support the university opera program.

Charlie Bishop’s initial gift of $500,000 was coupled with several hundred thousand dollars raised by local supporters, including several individual member donations and a joint board donation from Opera Props, a local support group, as well as a bequest from the estate of Margaret Winston, another longtime benefactor who died in September 2014. With Bishop’s pledge, the fund secured a dollar-for-dollar matching grant from the John and Tashia Morgridge Foundation to create the Karen K. Bishop Fund for the Director of University Opera.

This fall, the School of Music will initiate a national search for a permanent opera director.

The public portion of the three-day University Opera event includes a ticketed concert on Sunday, Sept. 27, at 7:30 p.m. in Mills Hall and a free master class on September 25. The program with the UW Symphony Orchestra includes the Concerto for Coloratura Soprano by Reinhold Glière, to be sung by Ms. Rae, La Mer by Claude Debussy, and Symphonic Dances by Sergei Rachmaninoff.  The public is invited to a reception following the concert. Tickets are $25, available through the Memorial Union box office. Students are admitted free.

While at UW-Madison, Brenda Rae won the annual Concerto Competition and performed leading roles with University Opera including Constance in “Dialogues of the Carmelites,” Despina in “Cosi fan tutte,” and Nannetta in “Falstaff.”

“It was thrilling to hear a singer with Brenda’s towering vocal attributes at the beginning of her career,” says Mimmi Fulmer, professor of voice and opera, who was Brenda’s teacher at UW-Madison.

Brenda Rae, who dropped the last name Klinkert after leaving Wisconsin, was also featured in a 2014 article in the Metropolitan Opera Guild’s magazine, Opera News, following her performance in Santa Fe.  “Rae proved her prima donna mettle in Santa Fe last summer, when she knocked local opera fans back on their heels with her superb Violetta in Verdi’s La Traviata, presented in a revival of Laurent Pelly’s edgy modern-dress staging from 2009,” the author, F. Paul Driscoll, wrote. “Rae bounded into the action of Act I with a fashion model’s lanky hauteur, her strikingly pale shoulders marked with a red floral tattoo, and sang as if her life depended on it.”

In the article, Brenda remembered her time at the School of Music.

“Before I was at Juilliard, when I was a student at the University of Wisconsin–Madison, I hadn’t really decided to focus on classical voice,” she said. “But my teachers there were pretty smart. By the end of my sophomore year, they had given me a scene from Sonnambula to do. And I fell in love with opera.”

The University Opera program was established in the early 1960s with Karlos Moser as director. Moser retired in 1997 and was followed by William Farlow, who retired in 2014.  The position is now filled by David Ronis, visiting assistant professor of opera.

Graduates have included current Broadway star Nathaniel Stampley; Gregory Schmidt, now with the Metropolitan Opera; Jamie-Rose Guarrine, who will join the faculty of University of Massachusetts-Amherst this fall; James Kyrshak, who recently joined the Vienna State Opera; and Emily Birsan, currently performing with the Ryan Center of Chicago’s Lyric Opera, as well as many others.


For more information, please email Katherine Esposito or call 608.263.5615.





Ingrid Jensen in Brooklyn, NY. June 2005photo by Angela Jimenez
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Jazz Trumpeter Ingrid Jensen to headline MMSD-UW Jazz Festival

On December 4-6, 2014, the UW School of Music will host the 4th Annual UW/MMSD Jazz Festival, an educational jazz festival featuring workshops and performances by high school big bands from Madison and Middleton, the UW Jazz Orchestra and UW Contemporary Jazz Ensemble, UW jazz faculty, and New York trumpet star Ingrid Jensen.

Ingrid Jensen in Brooklyn, NY. June 2005photo by Angela Jimenez

Ingrid Jensen

This 4th annual edition of the UW/MMSD Jazz Festival represents the expansion of the festival into a multi-day event featuring an internationally recognized guest artist and also marks the first time that UW Madison will be the host campus. In its new venue, the festival will continue its original mission of bringing together participating schools in a non-competitive festival environment to focus on students’ peer learning and the exchange of information, developing idiomatic jazz and improvisation skills, building a community of young jazz musicians and connecting them with working professionals, and inspiring student performers to deepen their involvement with the jazz idiom.

Watch the Ingrid Jensen Jazz Quintet perform “At Sea,” at the Berklee College of Music, April 2012

The festival’s expansion and its move to UW Madison as its host campus coincide with a major expansion of UW-Madison’s jazz studies program. Spearheaded by jazz pianist Dr. Johannes Wallmann who joined the School of Music faculty in 2012, the jazz program has added five new jazz ensembles, several new academic jazz courses, and a high school Honors jazz band. In the fall of 2014, the jazz program welcomed new instructors of jazz drums and jazz trombone along with its first cohort of students in the newly re-launched undergraduate jazz major.

2014 UW/MMSD Jazz Festival featured artist Ingrid Jensen has been a major figure on the international jazz scene for over 20 years. Her three CDs for the ENJA label and her latest CD, “At Sea,” won her nominations from the Canadian Juno Awards, including an award in 1995 for Vernal Fields. In addition to her work as a leader of the quartet Project O and the quintet Nordic Connect, Jensen is a featured soloist with the Maria Schneider Orchestra, with whom she recorded four albums, including the Grammy Award-winning “Concert in the Garden” and “Sky Blue,” the former of which was also named Jazz Album of the Year by the Jazz Journalists Association. She regularly places in Downbeat magazines Critics’ and Readers’ polls.

Ingrid Jensen recently made her Madison debut as a member of Terri Lyne Carrington’s Mosaic Project. She is also a member of Darcy James Argue’s Grammy-nominated Secret Society; the Juno-award winning Christine Jensen Orchestra; has been featured on Gil Evans’ Porgy and Bess at the San Francisco Jazz Festival under the direction of Maria Schneider; and has appeared as a guest in the festival’s “Tribute to Woody Shaw and Freddie Hubbard,” alongside Terence Blanchard, Eddie Henderson, Bobby Hutcherson and Kenny Garrett. Other musicians Jensen has performed and or recorded with include Madelaine Peyroux, Ron Carter, Mullgrew Miller, Steve Wilson, Jeff ‘Tain’ Watts, Dr.Lonnie Smith, Marc Copland, Bob Berg, Gary Thomas, Gary Bartz, Jeff Hamilton, Bill Stewart, Terri-Lynn Carrington, Geri Allen, Geoffrey Keezer, Billy Hart, George Garzone, Chris Connor, Victor Lewis, Clark Terry, Frank Wess, Badal Roy, Mike Clark, Jason Miles and Global Noize, Dr. Billy Taylor and the DIVA Big Band. Her performances as a leader and as a featured soloist have taken her around the world from Canada to Japan, Australia, South America, South Africa, the Caribbean and to almost every country in Europe and Scandinavia.


Schedule of events:

Thursday, Dec. 4: Trumpet master class with Ingrid Jensen. 1:30 PM, Music Hall.

Thursday, Dec. 4: Small-group jazz improvisation masterclass with Ingrid Jensen and the UW Contemporary Jazz Ensemble. 7:30 PM, Music Hall.

Friday, Dec. 5: Concert with Ingrid Jensen and the Johannes Wallmann Group. 8PM, Morphy Hall.

Saturday, Dec. 6: Headline concert featuring bands from Madison’s East, West and Memorial High School, Middleton High School, the UW Jazz Orchestra, and Ingrid Jensen. 6 PM, Music Hall.

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Pro Arte Quartet Channels Allen Ginsberg in “Howl” Composition

World Premiere of New Chamber Work Scheduled for Sept. 26

Also: Open Rehearsal, Friday, Sept. 25, 9 to noon, Mills Hall.

Encore Performance Sunday, Sept. 27, Chazen Museum, 12:30 p.m.

When Beat Generation poet Allen Ginsberg published “Howl” in 1956, he may have anticipated the obscenity charges he faced because of the work’s highly charged content. Chances are he didn’t foresee his epic poem, now considered a significant work of American literature, as the source of inspiration for a 21st Century chamber music composition.

The Pro Arte Quartet

The Pro Arte Quartet during a rehearsal last spring with Belgian composer Benoit Mernier

Pierre Jalbert, an American composer of French-Canadian decent, thought otherwise. When commissioned by the University of Wisconsin Pro Arte Quartet to compose an original work to help the quartet celebrate its centennial season, Jalbert chose Ginsberg’s poem as his source of inspiration. Jalbert’s “Howl” for clarinet and string quartet will receive its world premiere by the Pro Arte on Friday, Sept. 26, at the Wisconsin Union Theater on the UW-Madison campus. The event, free and open to the public, will be the first classical music concert to take place in the historic theater’s newly refurbished Shannon Hall.

The 8 p.m. concert will be preceded by a 7 p.m. concert preview discussion with Jalbert in Shannon Hall. In addition to Jalbert’s composition, the evening’s program includes the String Quartet No. 2 in A Major (1824) by Juan Crisóstomo Arriga and the Clarinet Quintet in A Major (1791) by Wolfgang Amadeus Mozart.

The concert will be repeated Sunday, Sept. 28, at 12:30 p.m. in Gallery III at the Chazen Museum of Art, also on the UW-Madison campus. Joining the Pro Arte for both concerts will be clarinetist Charles Neidich, a regular member of the Orpheus Chamber Orchestra and noted guest performer with orchestras and string quartets worldwide.

Clarinetist Charles Neidich

Clarinetist Charles Neidich

“The Jalbert quintet is a very exciting composition, often very rhythmic, but with very serenely quiet contrasting sections,” said Neidich. “It is also interesting in that the clarinetist has to switch to bass clarinet, creating a very different sound for the group.”

Ginsberg, who died in 1997, began work on “Howl” as early as 1954. The poem was first published in “Howl and Other Poems” in 1956 as part of the “Pocket Poets” series by fellow beat poet Lawrence Ferlinghetti, also known as founder of City Lights Books in San Francisco.

Upon the poem’s release, both Ferlinghetti and City Lights manager Shigeyoshi Murao were arrested and charged with distributing obscene material because of the poem’s profanity, drug references and frank sexual content. Four months later, Judge Clayton Horn ruled that the work was not obscene and charges against Ferlinghetti and his employee were dropped.

Judge Horn deemed “Howl” to have redeeming social content, and over the years it’s proved its worth, both in terms of social and literary value, according to Dr. Lynn Keller, the Martha Meier Renk Bascom Professor of Poetry in the UW-Madison Department of English.

” ‘Howl’ stands out stylistically in its compellingly and varied repetition of words beginning successive lines, its near surrealist imagery, and its combination of agonized depictions at once hellish and lofty with a very appealing sense of humor,” Dr. Keller said. “In terms of content, it also stands out in celebrating the down-and-out hipster as spiritual quester and visionary.”

As part of the Beat Generation – as much a social as a literary phenomenon – Ginsberg’s celebration of physical pleasures and suspicions about “the military industrial complex” created a new path that still appeals to younger audiences. “It is a powerful poem, a howl from the heart of an agonized generation in a repressive era,” Dr. Keller said. Jalbert was familiar with the poem prior to the Pro Arte commission, but it was only after he started composing the work that he began to realize the influence Ginsberg had on the music. Those similarities had less to do with the poem’s content and more to do with its structure and rhythm, the composer said.

Composer Pierre Jalbert

Composer Pierre Jalbert

“At the beginning of my piece, the clarinet is basically playing long tones, creating a long line much like the long lines in Ginsberg’s poem, while the strings present the rhythmically pulsating harmonic underpinning,” Jalbert said. “Ginsberg’s poem has been called a  ‘litany of praise,’ and the second movement of my work becomes a litany, much like a series of prayers in a liturgy, with the strings creating chant-like lines while the clarinet becomes the vox Dei, or “voice of God,” hovering mysteriously over everything. The third movement returns to the musical materials from the first movement, but now the bass clarinet takes on the virtuosic role.”

In keeping with emotional soundings in parts of “Howl,” Jalbert also has attempted to capture the “shrieks” that were characteristic to the poem alongside the aforementioned litany of praise.

“There are buildups to shrieking moments in my piece as well as a “howl” motive of a low chord slurred up to an immediate high cluster, all played very forcefully,” said Jalbert. “There’s also something very urban about parts of the poem and to me, there’s an urban quality in my first and third movements. There are also many religious allusions and the last words of Christ on the cross, so the second movement uses some of this.”

The Jalbert composition is the final of six commissions for the Pro Arte Centennial seasons, and it has all the earmarks of a contemporary works with staying power, according to Neidich.

“Having studied the score, I believe that it will be accessible to listeners and exciting to hear,” said Neidich. “It features the clarinet both in the role of soloist and as contributor to the sonority of the ensemble. It has all the necessary attributes to become a significant work.”

The Jalbert commission also brings to an end the Pro Arte’s seasons of centennial celebration in honor of the quartet’s long and storied history.  The Quatuor Pro Arte of Brussels, first formed in 1911-1912, was performing at the Wisconsin Union Theatre on the UW-Madison campus on May 10, 1940, when Belgium was overrun and occupied by Nazi forces, turning three of its original four musicians into war orphans. By October of that year, the group had officially become the UW Pro Arte Quartet, making it the first artist ensemble-in-residence at any university in the world. At more than 100 years old, Pro Arte also is thought to be the world’s oldest continuously performing string quartet.

In May, the Pro Arte returned to Belgium to perform the European premiere of its fifth centennial commissioned work, Belgian composer Benoît Mernier’s String Quartet No. 3. The work had received its world premiere on March 1 Mills Concert Hall in the Mosse Humanities Building on the UW-Madison campus with the composer in attendance. Read about their Belgium adventures in a local blog, The Well-Tempered Ear.
The Pro Arte Quartet includes violinists David Perry and Suzanne Beia, violist Sally Chisholm and cellist Parry Karp.

Sarah Schaffer 608/217-6786
Mike Muckian 608/287-6261




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UW-Madison showcases Brass, Jazz, and Composers in 2014-15 Music Festivals

Brass, jazz and three composers–American George Crumb, Cecilia McDowall of the United Kingdom, and France’s Jean-Philippe Rameau — will be showcased this year at the UW-Madison School of Music in the form of five multi-event guest artist festivals, starting in October and continuing through April. Funding is provided by the Vilas Trust and Anonymous Fund at UW-Madison. We thank them for their support.

Other notable events will include an eight-concert faculty/student “Showcase Series” series, presenting some of the most dynamic music that the School has to offer. Click here for Showcase info.

Some events are ticketed (click here for info). Tickets will go on sale one month ahead of time. All other events at the School of Music, including dozens of faculty recitals, student ensembles and individual guest artists, continue to be free.

Oystein Baadsvik

Oystein Baadsvik

Our 2014-15 festivals include:

“Celebrate Brass”
Wednesday, October 8 — Monday, October 13, 2014

Brass music is often known for its swagger, but it is also famous for delicate polyphonies and burnished tones. We invite the public to experience the beauty of brass first-hand at a festival featuring both a full array of music and musicians, many at the height of their careers.

Performers will include famed Norwegian tubist Øystein Baadsvik, the only musician to have created a career as a tuba soloist, rather than becoming a member of an orchestra or accepting a teaching post. His multi-faceted musical career as a soloist, chamber musician and recording artist has taken him all over the world. Øystein Baadsvik’s international career began in 1991 when he was awarded two prizes at the prestigious Concours International d’Exécution Musicale in Geneva.

Baadsvik will be joined by hornist Jessica Valeri (BM, UW-Madison, 1997) of the San Francisco Symphony Orchestra, Michigan’s Western Brass Quintet, UW-Madison’s Wisconsin Brass Quintet, renowned brass composer and blogger Anthony Plog, new UW-Madison faculty tubist Tom Curry, as well the best brass players and conductors at the University, including a Brass Choir led by conductor Scott Teeple.

Events will include concerts, solo recitals, masterclasses, brass coachings, a colloquium and a reception.
Click here for full schedule.

The 4th Annual UW-Madison/Madison Metropolitan School Jazz Festival
Wednesday, December 3 — Saturday, December 6, 2014

Ingrid Jensen in Brooklyn, NY. June 2005photo by Angela Jimenez

Ingrid Jensen

A festival featuring workshops and performances for college and high school jazz performers. This marks the first time that UW-Madison will host the event.

This festival will feature Ingrid Jensen, trumpeter, bandleader, artist-in-residence at the University of Michigan and part-time faculty member at the Peabody Conservatory. Ingrid Jensen has been a major figure on the international jazz scene for over 20 years. Her three CDs for the ENJA label and her latest CD, “At Sea,” won her nominations from the Canadian Juno Awards, including an award in 1995 for Vernal Fields. In addition to her work as a leader of the quartet Project O and the quintet Nordic Connect, Jensen is a featured soloist with the Maria Schneider Orchestra, with whom she recorded four albums, including the Grammy Award-winning “Concert in the Garden” and “Sky Blue,” the former of which was also named Jazz Album of the Year by the Jazz Journalists Association.

Jensen is a member of the Mosaic project with Terri-Lynn Carrington, Esperanza Spaulding and Geri Allen; the Darcy James Argue’s Grammy-nominated Secret Society; the Juno-award winning Christine Jensen Orchestra; has been featured on Gil Evans’ Porgy and Bess at the San Francisco Jazz Festival, under the direction of Maria Schneider; and has appeared as a guest in the festival’s “Tribute to Woody Shaw and Freddie Hubbard”, alongside Terence Blanchard, Eddie Henderson, Bobby Hutcherson and Kenny Garrett.

The festival will include master classes in jazz trumpet and improvisation, open rehearsals, a Saturday high school clinic, and performances with UW jazz ensembles and high school big bands from Madison and Middleton.

This festival is free and open to the public.
Click here for full schedule.

“Seventy Degrees Below Zero”: A concert series and residency showcasing the music of British composer Cecilia McDowall
Friday, February 19 through Sunday, February 23, 2015

In 2009, after premiering a McDowall work, “Framed,” UW-Madison trumpet professor John Aley discovered for himself what he describes as the “challenging, energizing, poetic, clever, tongue in cheek, and utterly beautiful” music of Cecilia McDowall.

Cecilia McDowall

Cecilia McDowall

Our festival, organized by Aley, will feature the first-ever United States residency of British composer Cecilia McDowall and the US premiere of her symphonic work “Seventy Degrees Below Zero,” commissioned by the City of London Sinfonia and the Scott Polar Research Institute, based in Cambridge, England.

Often inspired by extra-musical influences, McDowall’s writing combines a rhythmic vitality with expressive lyricism. She has won many awards and has been short-listed several times for the British Composer Awards. Her music has been commissioned and performed by leading choirs, including the BBC Singers, ensembles and at major festivals both in Britain and abroad and has been broadcast on BBC Radio and worldwide.

“Seventy Degrees Below Zero” is a cantata for solo voice (to be sung by faculty tenor Jim Doing) and orchestra, inspired by a phrase written by British captain Robert Falcon Scott to his wife, prior to his death while returning from an expedition to the South Pole: ‘Dear, it is not easy to write because of the cold – 70 degrees below zero.’ ”

Joining us on Saturday will be Michael DuVernois of the UW-Madison IceCube Particle Astrophysics Center, only recently returned from the Antarctic, who will present an entertaining and educational talk, complete with historic and modern photographs, on the progression of Antarctic exploration from the heroic age through modern science on the coldest, highest, driest continent.

Other works to be performed during the three-day festival include the first US performances of “Regina Caeli,” for four trumpets and four trombones, and “Cavatina at Midnight,” for clarinet, cello and piano. Her haunting choral works “Ave Regina” and “Ave Maris Stella” will be performed by the UW Chamber Choir, directed by Bruce Gladstone. In addition to Jim Doing, faculty performers will include pianists Christopher Taylor and Martha Fischer, clarinetist Linda Bartley, soprano Elizabeth Hagedorn, oboist Kostas Tiliakos, trombonist Mark Hetzler, trumpeter John Aley, cellist Parry Karp, percussionist Anthony Di Sanza, violist Sally Chisholm, and others.

In 2008, the Phoenix Chorale won a Grammy Award for “Best Small Ensemble Performance” for its Chandos CD, “Spotless Rose: Hymns to the Virgin Mary,” which included a work, “Three Latin Motets” by Cecilia McDowall.

Click here for full schedule.
Read a review in The Guardian newspaper of the UK premiere of “Seventy Degrees Below Zero.” 

“Honoring George Crumb at 85”
Sunday, March 22 and Monday, March 23, 2015

George Crumb has been a major force in American composition since the 1960s when his Ancient Voices of Children set to texts by Garcia Lorca provided an evocative and deeply personal response to late modernist serialism. The winner of both a Pulitzer Prize and Grammy, Crumb continues to compose new works, most recently his American Songbooks, that celebrate the magic and mystery of life. Crumb’s music often juxtaposes contrasting musical styles and quotes from pre-existing works, and his use of extended instrumental techniques shows his predilection for new sound colors. Many of Crumb’s works include programmatic, symbolic, mystical and theatrical elements, which are often reflected in his beautiful and meticulously notated scores.

Miranda Cuckson

Miranda Cuckson

Crumb’s 85th birthday provides an opportunity to celebrate this composer through concerts, workshops, and master classes featuring guest artists as well as our own faculty and students. The program will include a performance of the “Crumb Madrigals” by Chicago duo Due East and a concert by New York-based violinist Miranda Cuckson, as well as a performance of “The Violinists in My Life,” written by faculty composer Laura Schwendinger.

Cuckson is highly acclaimed for her performances of a wide range of repertoire, from early eras to the most current creations. In demand as a soloist and chamber musician, she appears in major concert halls, as well as at universities, galleries and informal spaces. She has performed at such venues as the Berlin Philharmonie, Carnegie Hall, the Library of Congress, Miller Theatre, the 92nd Street Y, Guggenheim Museum, and many more.

Nunc (Latin for “now”) was founded in 2007 as “Transit Circle ” by artistic director and violinist/violist Miranda Cuckson, and was renamed and incorporated as a not-for-profit organization in 2012. Nunc is devoted to presenting high-caliber performances of music of current, recent and older eras, through distinctive programming that highlights their innovations and contributions.

Due East (Erin Lesser, flutes; Greg Beyer, percussion) actively promotes new music and seeks to expand the flute and percussion duo genre through frequent commissions and premieres. Their first recording, Simultaneous Worlds, is available on Albany Records. Their second recording, Drawn Only Once, is a multi-media CD/DVD now available on New Amsterdam Records. Noted critic Steve Smith gave it a rare 5.0-star rating in Time Out New York, calling it “spellbindingly beautiful.”
Click here for full schedule.
Read a review of Miranda Cuckson in the New York Times.

“Rediscovering Rameau”
Multiple events; check back later for more details.

Jean-Philippe Rameau

Jean-Philippe Rameau.

A year-long festival marking the 250th anniversary of the death of French Baroque composer Jean-Philippe Rameau.
The UW-Madison and community partners will offer a series of public events beginning this fall and culminating in April with two concert performances of Rameau’s one-act opera, Pygmalion, by the Madison Bach Musicians.
Learn more about Rameau here.