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University Opera presents Verdi’s Falstaff, re-envisioned in Hollywood, 1930

As part of the worldwide commemoration of the 400th anniversary of Shakespeare’s death, University Opera will present Verdi’s final masterpiece, Falstaff.  Based on material from The Merry Wives of Windsor, Henry IV, and Henry V, Falstaff is a wild, comic romp.  In the UW-Madison production, updated to Hollywood in 1930, Falstaff is a has-been silent movie actor, out of work with the advent of the “talkies,” holding onto his former glory and living beyond his means at the Chateau Marmont.  Now a petty criminal, Falstaff puts the make on Alice Ford and Meg Page in an effort to bilk their husbands of money.  The ladies, incensed at his audacity, hatch a plot to give Falstaff his comeuppance.  But not before Mr. Ford, (a movie studio executive in the UW production) acting on his own ill-founded suspicions, gets involved and complicates matters.  At the end, all are reconciled as both men are taught their respective lessons.


Falstaff will be presented in Italian with English supertitles for three performances, November 11 at 7:30 pm, November 13 at 3:00 pm, and November 15 at 7:30 pm in Music Hall on the UW-Madison campus.  Directed by David Ronis with James Smith conducting the UW Symphony Orchestra, the production will involve over 90 UW singers, instrumentalists, and stage crew.  This production opens just one week after the national traveling exhibit of Shakespeare’s First Folio arrives at the Chazen Museum of Art.

Buy tickets here.

Following the success of the panel discussion before University Opera’s production of Transformations last spring, Ronis will again be assembling a panel of colleagues to discuss Falstaff on Friday, November 11 at 6:00pm in the Music Hall, admission free.  Featured panelists include:

Joshua Calhoun, Assistant Professor of English, UW-Madison

Cabell Gathman, Lecturer, Dept. of Gender and Women’s Studies, UW-Madison

Steffen Silvis, Dramaturg and Doctoral Candidate in Interdisciplinary Theatre Studies, UW-Madison

David Ronis, Karen K. Bishop Director of University Opera, UW-Madison

Susan Cook, Pamela O. Hamel/Music Board of Advisors Director of the Mead Witter School of Music, Moderator

Paul Rowe, Professor of Voice at UW-Madison, will sing the title role amidst a cast featuring current students and a couple of guest alums.  The principal ladies’ roles will be filled by Yanzelmalee Rivera and Sarah Kendall (Alice Ford), Courtney Kayser and Talia Engstrom (Meg Page), Emily Weaver and Claire Powling (Nannetta), Rebecca Buechel and Jessica Kasinski (Quickly).  The men in the cast will be alum Brian Schnieder and guest artist Richard Schonberg (Ford), José Muñiz (Fenton), Wesley Dunnagan (Dr. Caius), Jiabao Zhang (Bardolfo) and alum Benjamin Schultz (Pistola).  Assisting Maestro Smith will be Kyle Knox, assistant conductor, with musical preparation by new professor of opera and vocal coaching, Dr. Daniel Fung, Chan Mi Jean, and chorus master, Christopher Boveroux.

The physical production will be designed by Greg Silver.  Costume design is by Sydney Krieger, and Hyewon Park, lighting design by Kenneth Ferencek, props design by David Heuer, and the production stage manager will be Alec Brown.  The production staff include Erin Bryan, operations manager for University Opera; Jimmy Dewhurst and Daniel Lewis, master electricians; and Ethan White, lighting board operator.

Tickets are $25.00 for the general public, $20.00 for senior citizens and $10.00 for UW-Madison students, available in advance through the Campus Arts Ticketing office at (608) 265-ARTS and online at http://www.arts.wisc.edu/ (click “box office”). Tickets may also be purchased in person at the Wisconsin Union Theater Box Office Monday-Friday, 11:30 a.m.-5:30 p.m. and Saturdays, 12:00-5:00 p.m. and the Vilas Hall Box Office, Monday-Friday, 11:30 a.m.-5:30 p.m., and after 5:30 p.m. on University Theatre performance evenings.  Because shows often sell out, advance purchase is recommended. If unsold tickets remain, they may be purchased at the door beginning one hour before the performance.  The Carol Rennebohm Auditorium is located in Music Hall, at the foot of Bascom Hill on Park Street.

University Opera is a cultural service of the School of Music at the University of Wisconsin-Madison whose mission is to provide comprehensive operatic training and performance opportunities for our students and operatic programming to the community. For more information, please contact opera@music.wisc.edu. Or visit the School of Music’s web site at music.wisc.edu.